Whitman, Walt, 1819-1892. Leaves of grass; Whitman, Walt, 1819-1892 -- Criticism and interpretation; Mysticism in literature
In the large body of criticism dealing with Walt Whitman there are innumerable analyses of the poet's journalism, sexuality, politics, war experiences and post-war experiences, as well as his innovations in form, such as the use of free-verse,...
Melville, Herman, 1819-1891. Selections. 1984 -- Criticism and interpretation
Critics have been struggling to find a consistent theme that permeates Herman Melville’s Pierre; or, the Ambiguities (1852). There is the pamphlet on which a lecture by a man named Plotinus Plinlimmon is written down in the middle of the story....
This project proposes to situate Cooper's Chingachgook and Hetty,Melville's Queequeg, and
Hawthorne's Pearl and Priscilla, as rhetorical characters of what shall be termed the primitive-as-savior
tradition of American fiction. This rhetoric...
Dick, Philip K. -- Criticism and interpretation; Borges, Jorge Luis,1899-1986 -- Criticism and interpretation; Mysticism in literature
The mysticism of Philip K. Dick and Jorge Luis Borges make for a pairing that exposes a similarity of technique in the invention of imaginary worlds. The use of the double becomes an especially noticeable method that will be explored at length. ...
Uncanny, The (Psychoanalysis), in literature; Poe, Edgar Allan, 1809-1849 -- Criticism and interpretation; Lovecraft, H. P. (Howard Phillips), 1890-1937 -- Criticism and interpretation
The uncanny is an essay by Sigmund Freud that describes how a specific type of fear functions in horror literature. Freud defines how the sensation of the uncanny results from a specific event where one's repressed memories or emotions, which have...
